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This is the first comprehensive book to illustrate the specific relationships between native pollinators and native plants. Organized by plant communities, the book profiles over 65 perennial native plants of the Midwest, Great Lakes region, Northeast and southern Canada and the pollinators, beneficial insects and flower visitors the plants attract. With its easy-to-use format, the book provides the reader with information on how to attract, plant for and identify pollinators with native plants. Beautifully designed and illustrated with over 1600 photos of plants and insects, the book includes information on pollination, types of pollinators and beneficial insects, pollinator habitat and conservation as well as pollinator landscape plans. This is an important book for gardeners, students, native plant enthusiasts, landscape restoration professionals, small fruit and vegetable growers and farmers who are interested in attracting, identifying, supporting or planting for pollinators.

• Sales Rank: #64805 in Books
• Published on: 2014-01-01
• Binding: Paperback
• 320 pages

Review
"Heather Holm has two passions: native plants and their pollinators, and she's combined these two loves into an incredibly informative and useful book that will help you choose the best plants for your wildlife garden to attract an abundance of native pollinators. She has effectively given us a botanical reference to native plants in conjunction with an entomological reference to native pollinators in one complete volume. ..."    -  Carole Sevilla Brown, Ecosystem GardeningRead the full review here: ecosystemgardening.com/pollinators-of-native-plants-by-heather-holm.html

"Everything about the book contributes to its ease of use, from the clean font to the color-coded tabs the top of each page. The information builds logically starting with explanations of the process of pollination and the structures of pollinators. There is a comprehensive chapter on conservation with practical advice on aiding pollinators in urban, suburban, agricultural and natural settings, including checklists for beneficial and harmful practices..."-  Suzanne Dingwell, Author of Clean Green Natives blog.Full review:vnps.org/wp/book-review-pollinators-of-native-plants-by-heather-holm/

"I am glad Heather Holm "slowed down" to observe the delicate relationships between native plants, pollinators and other beneficial insects. This book will inspire us to do the same, to experience the momement, with other living beings. This book is a wonderful tool to help us create, support and value these essential interactions in our gardens, communities, and region. I will refer to this guide book often."
-  Erik James Olsen, Landscape Designer, Out Back Nursery & Landscaping, Hastings, MN

"This book, Pollinators of Native Plants by Heather Holm, could not have come at a better time. The book provides much needed information on understanding the key concepts of pollination and a thorough overview of native insect pollinators. One reason that I really like this book is that it addresses all types of native insect pollinators: bees, butterflies, moths, wasps, flies and beetles..." 
-  Ellen Honeycutt, Author of Using Georgia Native Plants blog. Read the full review here: usinggeorgianativeplants.blogspot.com/2014/02/pollinators-of-native-plants-book.html

"What I find truly unique about this book is that the author recognizes that a garden is an ecosystem. The gardener is a steward who works best when he or she understands how nature is working." 
Full review: bugeric.blogspot.com/2014/02/review-pollinators-of-native-plants.html
-  Eric R. Eaton, Co-author of the Kaufman Field Guide to Insects of North America and author of the Bug Eric blog.

From the Back Cover
"If you are a person that lingers at flowers and gets close enough to marvel at all the bees, butterflies, moths, beetles, wasps, and flies that visit flowers for food, you will love this book. Heather Holm has compiled a gorgeous and super-informative guide to the pollinating insects that visit native prairie, woodland and wetland flowering plants. At last, a book that tells us the whole picture: the bloom time, range, habitat, and characteristics of flowers that attract pollinators, and the life-histories and fascinating traits of the many beneficial insects that pollinate the flowers. As I sit here on this cold winter day admiring the beautiful photos, I am filled with hope that our bees and pollinators will abound next summer and evermore."
- Marla Spivak, Professor, University of Minnesota

Most helpful customer reviews

25 of 28 people found the following review helpful.
This completes the trifecta.
By Dan Mays
Although I always hesitate to cast judgment on a book before I have completely read it, I have begun to realize that I will be long-savoring this new (2014) reference/ field guide, Pollinators of Native Plants (Attract, Observe and Identify Pollinators and Beneficial Insects with Native Plants), written by Heather Holm.

Let me first say that this book is principally aimed at the layman, “citizen-scientist” market. Ms. Holm has done a delightful job of delivering the required scientific information without resorting to esoteric technical jargon. The writing is substantive, but yet retains a delightfully entertaining and engaging demeanor.

Heather Holm unabashedly admits that her effort was inspired by those of both Douglas Tallamy’s book, Bringing Nature Home and the Xerces Society’s book, Attracting Native Pollinators. Holm’s new book takes these previous efforts and expands nicely upon them, extending upon the specific (sometimes obligate) interactions of both native plants and insects.
The book artfully manages to present a rather comprehensive overview while still remaining comprehensible – not an easy feat. The author’s personal engagement with her subject matter is pleasingly obvious. The personal insight she imbues into her prose and copious photos can only be gleaned from “been there” experience. The profuse personal insights are helpful gems of knowledge that just are not found in books – that is until now. Additionally, her background research is also quantifiably apparent. For example: she quotes from Nature’s Garden, a book written in 1900 by Neltje Blanchan, an author known for ‘synthesis of scientific interest with poetic phrasing.’

Personally, I have spent hours (perhaps too many) of summer joy viewing the struggles of bumblebees gathering pollen from Wild White Baptisia (Baptisia alba). The quote that Holm chose to cite from Nature’s Garden deals with the similarly-closed, somewhat difficult to pollinate blossoms of White Turtlehead (Chelone glabra). Although but a simple anecdote, I feel this type of “minor” descriptive information adds an immense amount of both clarity and the too-oft-missing joy in scientific reading material.

***********
“It requires something of a struggle for even so strong and vigorous an insect as the bumblebee to gain admission to this inhospitable-looking flower before maturity; and even he abandons the attempt over and over again in its earliest stage before the little heart-shaped anthers are prepared to dust him over. As they mature, it opens slightly, but his weight alone is insufficient to bend down the stiff, yet elastic, lower lip. Energetic prying admits first his head, then he squeezes his body through, brushing past the stamens as he finally disappears inside. At the moment when he is forcing his way in, causing the lower lip to spring up and down, the eyeless turtle seems to chew and chew until the most sedate beholder must smile at the paradoxical show. Of course it is the bee that is feeding, though the flower would seem to be masticating the bee with its keenest relish! The counterfeit tortoise soon disgorges its lively mouthful, however, and away flies the bee, carrying pollen on his velvety back to rub on the stigma of an older flower.”
***********

I am impressed with the amount of information presented in this 306 page book. It is simply chalked full of solid, descriptive information of both native plants and their most likely six-legged visitors. The format has a lot to do with maintaining a concise, intelligent presentation of the copious material. Particularly amazing is how she can sometimes include up to ten, well-cropped photos on a page without it seeming a jumbled mess. That is due to the superb organization, formatting and logical layout of the material, which frequently provides cross referencing to another page to both avoid redundancy and provide clarity.

Coupled with Bringing Nature Home and Attracting Native Pollinators, the addition of Heather Holm’s Pollinators of Native Plants to one’s personal library seems like a perfect trifecta.

Dan Mays
Walcott, Iowa

8 of 8 people found the following review helpful.
A Useful Guide for Pollinator Lovers
By Beatriz Moisset
Heather Holm's "Pollinators of Native Plants" is a much needed addition to my slowly growing library of books on pollinators. Its first section provides information on the principles of pollination and the pollinators. It also covers different habitats and conservation issues. The rest of the book is devoted to both plants and their pollinators. What would one be without the other? The information is presented as a guide book.
The guide section covers 65 five types of wildflowers sorted by habitats, each plant accompanied by a selection of its most common pollinators and flower visitors. The 1600 images and clear text make identifications easy.
This book reminds me of the almost encyclopedic "Attracting Native Pollinators" published by the Xerces Society. It is fortunate to have now this guide to pollinators, which is more manageable in size and structure, convenient enough to take along in a walk through the garden.

4 of 4 people found the following review helpful.
I can't say enough good things about this book.
By Tulip
She simply thought of everything -- there's even a chart of bee tongue lengths! Where else can you find something like that? (In light of how comprehensive the book is, I'll just touch on a few of my favorite chapters.)
Chapter 4 covers prairie plants and the insects that interact with them, chapter 5 covers woodland edge plants, and chapter 6 covers wetland edge plants. Each plant gets between 2 and 4 pages. The first page gives a description, cultural information, and a brief list of complementary plants. The next 1-3 pages is devoted to insect interaction with the plant; not just pollinators of the plant, but insects that may prey on the pollinators, along with the various insects that may consume the foliage, flower buds, etc. Another chapter lays out garden plans for various situations: woodland edge, boulevard, rain garden, even plans to attract specific bees! I plan on having every plant she recommends for mason bees in my yard this year. (Last year I didn't see hardly any bees, and later, I didn't get very many berries on my blueberry bushes.) This chapter would also be really helpful to the garden design challenged. : )
This book should be read by every science teacher, be on every landscaper's and nurseryman's desk, and on every gardener's bookshelf. If it were, the bees and butterflies would soon be everywhere again!

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• Sales Rank: #551403 in eBooks
• Published on: 2015-03-30
• Released on: 2015-03-30
• Format: Kindle eBook

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• Published on: 2011
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For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema.

He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that constitutes the film is passed on to the viewer, who thereby encounters an aspect of the world and its exaltation and vitality as well as its difficulty and complexity. Cinema is an impure art cannibalizing its times, the other arts, and people – a major art precisely because it is the locus of the indiscernibility between art and non-art. It is this, argues Badiou, that makes cinema the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.

• Sales Rank: #958392 in eBooks
• Published on: 2013-09-25
• Released on: 2013-09-25
• Format: Kindle eBook

From Publishers Weekly
The best of French philosopher Badiou's over 50 years' worth of writing on cinema is collected in this intriguing volume. It begins with an interview conducted by editor de Baecque in which Badiou considers the role of film in culture as a "school for everyone", his evolving relationship with the cinema, and the radical politics that often inform his work. His 1977 essay "Revisionist Cinema" lays out these politics, decrying the ideals of "new bourgeoisie" directors like Bergman and Kubrick. Badiou posits an "axiomatic" approach to film discussion in which we eschew judgment in favor of asking "how a particular film lets us travel with a particular idea in such a way that we might discover what nothing else could lead us to discover." Badiou describes film as "the seventh art", explaining how it interacts with other media, and provides brilliant, in-depth analyses on the techniques, styles, and themes of several films. His crucial essay is "Cinema as Philosophical Experimentation" in which he explores film as both a "mass art" and a subject worthy of serious philosophical thought. Badiou's writing style may be difficult to those unaccustomed to French philosophy, but the material is worth the effort. (June)

Review
"Fascinating ... every word of Badiou's writing radiates with a pronounced sense of exuberance for cinema, and presents the convincing case that it is the liveliest of the seven arts."
Film International

"Provides brilliant, in-depth analyses on the techniques, styles, and themes of several films."
Publishers Weekly

"The chance to truly and fully understand the nature of cinema through the eyes of someone who is clearly one of its most passionate advocates."
Morning Star

"Badiou’s unfashionable militancy is sure to continue to generate a degree of mock not-this-again head-scratching from the guardians of sober academic scholarship in the humanities, as well as from whoever might be assigned to review Badiou in say, The New York Review of Books."
Los Angeles Review of Books

"While a thorough reading of this book is an intellectual investment, I would highly recommend it, particularly to those interested in the pursuit of cultural renewal by artistic means."
Englewood Review of Books

"There is an aphoristic concision to Badiou's thinking that is capable of producing moments of true enlightenment."
Review 31

"These rich and diverse pieces are all ostensibly concerned with cinema, but are ultimately far more profound than often their occasion would demand. Providing an important exploration of politics, esthetics, the visible, and cinema's relation to thinking and procedures of decision, this volume gives the reader of Badiou a sense of this major thinker's intellectual development. Spitzer's translation of this volume is a careful and meticulous rendering of Badiou's thought."
Claire Colebrook, Penn State University

"Since the 1950s Badiou has written in excess of thirty essays on cinema. It is clear that film has been a constant companion in his articulation of art as a form of truth-making event, the creation of unworldly truths. This collection brings these writings together in English for the first time, allowing us to see just how important film is for Badiou’s philosophy of the event."
John Mullarkey, Kingston University, London  

"These rich and diverse pieces are all ostensibly concerned with cinema, but are ultimately far more profound than often their occasion would demand. Providing an important exploration of politics, esthetics, the visible, and cinema's relation to thinking and procedures of decision, this volume gives the reader of Badiou a sense of this major thinker's intellectual development. Spitzer's translation of this volume is a careful and meticulous rendering of Badiou's thought."
Claire Colebrook, Penn State University

"Since the 1950s Badiou has written in excess of thirty essays on cinema. It is clear that film has been a constant companion in his articulation of art as a form of truth-making event, the creation of unworldly truths. This collection brings these writings together in English for the first time, allowing us to see just how important film is for Badiou’s philosophy of the event."
John Mullarkey, Kingston University, London  

About the Author
Alain Badiou was Chair of the Department of Philosophy at the École Normale Supérieure in Paris and is one of the leading philosophers in France today. His many books include Being and Event and The Century.

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7 of 7 people found the following review helpful.
Set aside preconceptions, or read selectively
By Thomas F. Dillingham
Although there are some philosophically oriented English/American writers about movies, they tend not to be among those most recognized by anglophone movie fans. Some very fine writers--James Agee, Andrew Sarris, Pauline Kael, Dwight Macdonald, Murray Kempton,and many others--have produced readable and insight-filled commentaries on specific movies and the art form in general. It is uncommon, however, in English language writing about movies, to encounter the kind of complex and sometimes almost incomprehensible prose produced by the philosopher-critics of the French tradition.

Alain Badiou, as we are reminded in the introduction to this collection, has been writing about CINEMA for more than fifty years. This collection offers a number of fascinating, sometimes impossibly arcane, sometimes disappointingly boring, commentaries, usually about genres or directorial oeuvres more than about particular movies. In other words, though Badiou has strong opinions about the importance, indeed the deep relevance, of cinema to western culture, he is not a movie reviewer and does not bother with thumbs up or down, numbers of stars or popcorn tubs, and so on. As an unreconstructed (though somewhat reconfigured over the years) Marxist, his analyses tend to focus on what he considers the fundamental issues and orientation of the films he discusses, and he shows a strong preference for the kinds of politically oriented films that we associate with Jean-Luc Godard or, in Badiou's case, the surprising examples of the films of Jacques Tati. He strongly denigrates some of the most famous and revered French directors and their "quality" films, which he considers to be mummified museum pieces rather than living works of art.

For a reader willing to navigate the sometimes jargon-turgid prose, these essays are often rewarding. One major drawback for many American readers will be the frequent references to political activities and even politicians indigenous to France and the intricacies of French politics, as well as other distinctly parochial francophone interests. Some notes--not really copious enough for non-French readers--help to clarify some of those points, but a few essays are really worthless to us because of their arcane nature. I found, therefore, that reading selectively and being willing simply to skip ahead if an essay became too opaque, was the way to go with this. From that, I found enough of interest to make the book a worthwhile encounter.

9 of 10 people found the following review helpful.
Badiou on Cinema: a collection of essays from across his career
By Pen Name?
As a reader of continental philosophy, I recall the emergence of English translations of Badiou's work about a decade ago, preceded by the praise and references of Slavoj Zizek. I was curious at least to check out the work of this thinker, though for the most part I have found his writings to be tangential or at odds with my own research interests. But, I do like to keep up from time to time with the work of anyone so prominent in the field, particularly when it comes to work on the arts and culture.

It seems like a lot of modern French philosophers eventually publish a volume on cinema, and so here we have Alain Badiou collecting some of his own writings on cinema, from essays published and previously unpublished. These essays span his whole career, which is interesting in itself. One work even dates as far back as 1957 when Badiou was a student. The volume was originally published in France in 2010 and features both an essay on Clint Eastwood from that year and a new 20 page interview to start the volume which deals with his interest in cinema and engages with the circumstances of some of his writings. This interview itself may be the biggest draw for some readers as it gives a direct look into how Badiou understands his own ideas opening up in relation to cinematic culture and experience.

Like the essay collection "Infinite Thought," this volume may provide a nice entry way into Badiou's thinking, particularly for those who are already versed in film. It's certainly more approachable than say... Being and Event.

3 of 3 people found the following review helpful.
the seventh art
By Case Quarter
antoine de baecque, by assembling all of alain badiou's published writings, plus two unpublished essays, lectures, and a couple of interviews, on cinema, has done not just badiou, but the reader, a service.

the book's strength relies on badiou's developing and continuous thought from essay to essay. the essays are arranged in chronological order. over the years we are privileged seeing how badiou developed his ideas on cinema, starting in 1957. badiou was a twenty year old student, spending his free time at a movie theater near his school, watching french and american films from the 1920s. his first film essay, CINEMATIC CULTURE, was published in vin nouveau. in that essay he discussed film as technique and as influenced, writing on scene, the shot, the frame, and adding his opinions on intuition, language and taste. `cinema,' he would later say, `is the art of the perpetual past ... to speak of film is always to speak of a reminiscence ...'

fast forward 20 years, ten years after the events in france during may 1968 finds badiou critiquing the events and cinema from a political perspective. badiou is a maoist. his first of several pieces for la feuille foudre, the journal for a marxist-leninist intervention in cinema and culture, is REVISIONIST CINEMA, a manifesto pooh-poohing counter revolutionary art.

fortunately, for the reader, the 1980s have him distancing art from politics, and this is where his ideas start to get interesting. goddard becomes a focal point for him. badiou discusses goddard's techniques and his method of situating the political and human connection. badiou's distancing of the political is not a relinquishment of politics, he's very clear about the difference. in a film critique from this period he discussed paul nizan, a good friend of jean paul sartre, mentioned by sartre in a lengthy biographical sketch in sartre's SITUATIONS.

the 1990s and into the 21st century show him as the philosopher working through questions of how film connects to reality. he uses plato's images within the cave to discuss the first MATRIX film. he equates the ancient greek audience at the tragedy plays with the filmgoer since the 1900s, finding both audiences engaged in popular entertainment of their time. cinema is a mass art, enjoyed in its immediacy by millions, offering a democratic appeal which no other art form has ever matched. one reason, unlike the other seven categories of art, `film is an impurity that can only be purified by the admixture of the Beautiful,' with american cinema being `unquestionably one of the greatest artistic creations of the century,' the tension and the character, that is, the hero, in the epic, who against impossible odds, car chases and explosions, always triumphs, a scenario that rarely happens in european film. a couple of other american films discussed are MAGNOLIA and clint eastwood's A PERFECT WORLD. reading badiou's enthusiasm for american cinema, i wonder what he thinks of weekly american tv dramas.

there is also his TRIBUTE TO GILLES DELEUZE, a description of the deleuze's books CINEMA 1 and CINEMA 2, in which badiou ponders time in philosophy and cinema, speculating how cinema will change the way philosophy is conducted.

there are several films, which i have not seen and intend to see, and films i have seen at which, thanks to badiou, i will take another look.

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A single-source reference on the biology of algae, Algae: Anatomy, Biochemistry, and Biotechnology, Second Edition examines the most important taxa and structures for freshwater, marine, and terrestrial forms of algae. Its comprehensive coverage goes from algae's historical role through its taxonomy and ecology to its natural product possibilities.

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• Sales Rank: #1980193 in Books
• Brand: Brand: Routledge
• Published on: 2014-03-05
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 7.10" l, 2.15 pounds
• Binding: Hardcover
• 361 pages

Features

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Review

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About the Author

Dr. Paolo Gualtieri graduated in biology and computer science from the University of Pisa, Italy. At present, he is a senior scientist at the Biophysics Institute of the National Council of Research (CNR) in Pisa, Italy, and an adjunct professor at the University of Maryland, University College, College Park, USA. He is a professional orchestral trumpet player.

Dr. Laura Barsanti graduated in natural science from the University of Pisa, Italy. At present, she is a scientist at the Biophysics Institute of the National Council of Research (CNR) in Pisa (Italy).

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1 of 1 people found the following review helpful.
Not for students
By Cloudbuster
These is a rather loose collection of not-well connected articles. Rather for special interest and not a cohesive narratives.

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A First Course in Systems Biology is a textbook designed for advanced undergraduate and graduate students. Its main focus is the development of computational models and their applications to diverse biological systems.

Because the biological sciences have become so complex that no individual can acquire complete knowledge in any given area of specialization, the education of future systems biologists must instead develop a student's ability to retrieve, reformat, merge, and interpret complex biological information.

This book provides the reader with the background and mastery of methods to execute standard systems biology tasks, understand the modern literature, and launch into specialized courses or projects that address biological questions using theoretical and computational means. The format is a combination of instructional text and references to primary literature, complemented by sets of small-scale exercises that enable hands-on experience, and larger-scale, often open-ended questions for further reflection.

• Sales Rank: #475320 in Books
• Brand: Brand: Garland Science
• Published on: 2012-03-28
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .70" w x 8.40" l, 2.10 pounds
• Binding: Paperback
• 496 pages

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19 of 19 people found the following review helpful.
The Best Introductory Text in Systems Biology
By Occasional Reviewer
As someone who has been working in systems biology since before the term was even coined, I can be pretty critical of any nascent texts on the subject, now that academic biology departments are starting to give the field its proper due. But part of the problem in the field, all the way back to May and Morowitz, is that the obscure and esoteric mathematics of dynamical systems theory has been inaccessable to most classical biologists, let alone to the public. Fields such as bioinformatics have made clear the importance of mathematics and computational science to biology, but the world of modeling and simulation has remained on the edges of biology only until recently.

Most texts on systems biology have tended to focus on the mathematics without much more. Here is a book that tries something rather bold, to address the whole expanse of systems biology, with a minimalist mathematical approach, and a more a practical perspective on real world application. If you are a biologist looking for a first look at systems biology that does not assume you dream in Lyapunov exponents, this is the book for you. It is well illustrated with an almost historical context providing perspective on the field and just enough math to pique your interest without scaring you away. If you fancy yourself a Ramanujan, there are a number of great books that dive into the mathematical abyss with abandon, such as Armin Fuchs' text. But if you are new to the application of dynamical systems theory to biology and to mathematical and computational modeling of the same, then this is your "start here" users manual road map for the more partiuclar detail you will need once you are hooked. This is the perfect book for an introductory upper division undergraduate or preliminary graduate course in systems biology.

11 of 11 people found the following review helpful.
An Exceptional Book!
By systems_biologist
This is a powerful introduction to systems biology from one of its internationally recognized leaders. The book presents the origins, concepts, tools, state of the art, and future directions in systems biology research. One of the book's many outstanding features is its real emphasis on both "systems" and "biology." On one hand, it highlights the principles and general advantages of the systems-oriented approach and mathematical modeling in (molecular) biology. On the other hand, it shows how concrete biological questions and phenomena (from cellular signal transduction to heart physiology) motivate and drive modeling research. The book's other features include its accessibility, balanced and highly relevant selection of material, highlights of the connection between modeling and experimental data, and suitability for audiences with mathematical or biological backgrounds. The reader can also choose between more introductory or more advanced levels of exposition. For example, Chapter 5 "Parameter Estimation" is a helpful reference even for a seasoned systems biology scientist. Yet, Chapter 6 "Gene Systems" starts with a description of the basic building blocks of life and then proceeds to discuss current experimental methods of gene expression analysis. Several areas addressed in the book have been advanced by the author's own research, which obviously adds to the book's overall value. While the book is mainly focused on deterministic finite-dimensional systems, it conceptually prepares the reader to use other computational frameworks to solve biological problems. I strongly recommend this book to anyone with a serious interest in systems biology.

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It's worth it.
By André
A good choice for beginers in systems biology. Clear explanations and good examples. A First course in systems biology is a nice choice for those who want to start learning systems biology.

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